From time to time, I love to participate in art projects of other artists. This gives me the opportunity of working for a concrete assignment given by someone else then myself. I like to send work not only to textile artists but also to artists working in other media. I see it as a welcome challenge to create a fiber art piece that “fits in” with the other media art pieces and it is also another try to let the art world know that textile works have a right to be regarded as art pieces just as well. Plus, taking part in other’s projects provides the bene of having my work more widely shared.
Below are my works that I sent to other artists within the years of 2015 – 17.
Creating “The key” was my very first time participating in a mail art project. I was approached by the talented and friendly contemporary mixed media artist MOO (Monika Mori) and instantly loved her project! The project’s theme was “Turquoise” and you can see all the amazing entries in this online gallery. Since this first participating in an art mail project, I love the concept!
In spring 2016, I came across an open call for another art mail project on facebook. The project was initiated and curated by the Spanish photographer María Hernández Laplaza. The project’s theme was “Confidencias mudas” and the resulting exhibition toured throughout Spain. Some pictures can be found here. Unfortunately, my work was stolen during the first exhibition. 😦
Another interesting art project I found in 2016 was author and artist Sabine Küster’s mail art project “…mir ist so daDa im Kopf!”. As a Swiss artist and author myself, I feel closely connected with dadaism and I love playing around with words as much as I love embroidery! My entry (see above right) was selected for publication in the project’s work book (above left). The book is available here.
Inspired by the three art mail projects I took part in, I decided to give a go at curating my own exhibition after all. As a founding member of the Swiss Hand Embroiderer’s Guild, I organised the project “IN BETWEEN / DAZWISCHEN” under the Guild’s roof. The project resulted in an online gallery and a one-day exhibition in a pop-up gallery in Winterthur, Switzerland. My three entries are shown above. The project was a very time consuming but also very exciting and satisfying undertaking. 🙂
PS: The Guild hosts a yearly fiber art project since then. Go check out their website!
Also in 2017, I worked with one of my favorite artist collectives Art in Open Roomz again for a small yet funny art project: upcycling cd’s into art objects! You can view pictures of the resulted mobile sculpture here.
My last project entry in 2017 was “Beautified”, a quilt square for a collaborative art quilt by the Upcycled Cloth Collective founded by upcycling textiles virtuoso Melanie Brummer. The square has to be made of recycled materials and has to show a word paraphrasing “upcycled”. If you are interested, join the collective here.
Many fiber artists sew tunnels on the back of their art pieces to hang them like you would a quilt. Or they choose to sell their art work without hanging system and leave it to the buyer how to put it on his/her wall.
Me? I found that I simply like deciding how to put my pieces up myself! Earlier, I sometimes feared the risk of the buyer disliking my framing/mounting choices. Not anymore! I love to mount my finished pieces on or into something that is easily hangable; in fact, I feel that my pieces are only finished after I have mounted and/or framed them! So why stop before what I see the last step in my creative process only to try pleasing a broader buyer spectrum?!
Also, I really want to make my textile pieces shine like classical paintings. Textile arts live a shadowy existence within the fine arts anyway; and proper framing at least gives them the opportunity to quickly be hung between paintings in a gallery.
My mounting choices
I have two favorite mounting options: mounting the piece on canvas or mounting it on foam core board.
As to canvases, I buy industrial made canvases and customize them by painting and/or embroidering them to become the proper frame for my fabric piece. The fabric piece is then sewn (or in rare cases as I would with denim) glued onto the canvas.
As to foam core boards, I buy them in do-it-yourself stores or in architect’s supply shops. After having cut them into the right sizes, I mount the textile piece onto the board. Sometimes, I then call the art work finished as is; other times I also frame it afterwards.
My framing choices
I buy my frames in do-it-yourself stores or online. Sometimes I overpaint them. Going to the framers and having the pieces put in a customized frame would be far too expensive for me (it is VERY pricey to have it professionally framed in Switzerland!) – in fact, this would multiply the price of my work. So I leave professional framing for the times when I will be a rich and famous artist… 😉
Some pieces go in a vintage frame; I especially love upcycled old wooden frames that once were windows or mirrors!
What is YOUR way? How do YOU put a textile piece on a wall??